Monday, December 27, 2010

American Indian

This painting is a study of an Edward Curtis photograph taken in the early 20th century. Curtis is well known for his photos documenting North American Indian life. He took over 40,000 photographic images from over 80 tribes.

The primary color of this portrait is Burnt Sienna which I used along with Ultramarine, Ochre and Titanium White to produce the skin tone. The drawing was off from the start and I took a few liberties, but I continued forward with what we'll call a "variation." :) 



Thursday, December 23, 2010

Drawing

"I have learned that what I have not drawn I have never really seen, and that when I start drawing an ordinary thing, I realize how extraordinary it is, sheer miracle. " ~Frederick Franck, The Zen of Seeing


 We'll what can I say about drawing? Nothing new, compared to what the great artist have already said. But, I love the idea of having the opportunity to create something tangible based on a thought. I love the idea of studying how form is rendered depending on the subject, media used and the idea that the artist is trying to convey. But mostly, I love all the different styles that we all have: simple, complex, abstract, technical... 


My primary method usually starts with rhythm lines and is based on what I have learned so far from the Reilly Method. It has helped me get something down on my surface so I at least have a starting point; it also helps me find basic shapes that I can later decide how to treat. This was a major breakthrough for me because before I started studying art, I thought that artist start at a single point and drew everything perfect from that point (like the artists you see at Disneyland who can draw Jiminy Cricket with their eyes closed). I had no idea how powerful the eraser is, both as a drawing tool and allowing the freedom correct a drawing until its how you envision it -or if you have a few happy accidents along the way, better than you envisioned it. Either as a simple sketch or a highly rendered drawing, I'm beginning to learn its importance in understanding a subject. (Mountain Man - 2B Pencil on Canson / Crow - vine and compressed charcoal (ref: BienchenStock) / Seuss study - 2B on sketch paper) 

Sunday, December 19, 2010

Fall Term Sketches

Here are few oil sketches that I did in the Fall Term at Watts Atelier. Meadow Gist instructed as we worked from live models. For this class I used New Traditions Panels using a mix of their acrylic, oil, and lead-primed canvases. I chose an array of canvas surfaces to experiment with the different types available prior to committing to shell out for a single type of canvas roll. By the of the term I chose to purchase a roll of double-primed Claessens 13.



Catalina in Profile


Catalina was painted on a Claessens #13 canvas panel (SourceTek). This painting was the first time that I had used Claessens. Previously I used Fredrix's Archival canvas panels, which are great for student work but with this surface I immediately felt the difference when I laid my paint down. The dominant tone of this painting was based on a premixture of Alizarin, Ultramarine and Titanium White (stole the premix idea from Lipking). However, I think I ended up over using it, but overall I'm pleased with how this turned out.

Welcome to my new art blog!!

I enjoyed keeping up my old drawing and painting blog, which I used mostly as a personal online storage of my art and scraps versus a true blog. I have decided to use this site to offer insight into my methods, thoughts, and my new art. I just finished the fall term at Watts Atelier, located in Encinitas, Ca., where I studied Head Painting in Oil with Meadow Gist who is both a fantastic painter and teacher (very patient) -check out her site here. I'm hoping to get back there in January.

I hope you enjoy the new site... and let's all keep moving forward!